ttfere.blogg.se - Chopin scherzo 2 op 31 sheet music simplified

REPEAT OF B:īars 366-367: A repeat of Bars 265-365, with small changes to the embellishment of Theme 4, and one additional bar (Bar 374).īars 584-715: Similar to Bars 1-124, with an additional left hand trill (Bar 630), small changes in rhythm and texture in Bar 684. Modulates to F sharp minor (Bars 317-325, making a sequence with Bars 308-316), then returns to C sharp minor until the last two bars (Bars 332-333), which are in E major.īars 334-365: Theme 6 (leggiero). All in E major, with some use of the ii half diminished seventh chord (Bars 352-353 and 356-357). Modulates to F sharp minor in Bars 277-284, with an imperfect cadence in Bars 280-281, followed by delicatissimo arpeggiation of the dominant chord.īars 285-308: Theme 4 restated. Begins in A major as before (Bars 285-298), then modulates to C sharp minor from Bar 299, with an imperfect cadence in Bars 305-306, followed by arpeggiation of the dominant chord.īars 309-333: Theme 5 (espressivo). Begins in C sharp minor. REPEAT OF A:īars 133-264: A repeat of Bars 1-132, with small rhythmic changes to Theme 1 TRIO (Bars 265-583): B:īars 265-284: Theme 4. Begins in A major (D flat, the previous keynote, now becomes C sharp by an enharmonic change – the third of A major). the G flat in Bar 69, E natural in Bar 97, etc.).īars 117-132: Closing theme – tonic and dominant seventh arpeggios in D flat major. Suspensions and appoggiaturas are used throughout this passage for added expressiveness (e.g. A diminished seventh chord (F – A flat – C flat – D) is used in Bar 87, 103, and 109-112. There is a dominant pedal in Bars 107-116, leading to a perfect cadence in Bars 116-117.

Paul Cardall - December ()Ĭlassical Music Discoveries is sponsored by La Musica International Chamber Music Festival and consider supporting our show, thank album is broadcasted with the permission of Anita Daly from Daly Communications.Bars 25-48: Theme 1 restated. Begins in B flat minor as before (Bars 25-36), but then modulates to F minor (dominant) instead of D flat major in Bars 37-48.īars 49-64: Theme 2, all in D flat major, with some use of the flattened sixth degree (B double flat) as part of a dominant minor ninth chord, or part of a chromatic scale.īars 65-117: Theme 3 (con anima). Begins in G flat major, then modulates to A flat major (Bars 73-80, making a sequence with Bars 65-72) and D flat major.

Hush, Little Baby (The Mocking Bird Song).

In addition, Cardall employs a minimalist approach that includes repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units. Pieces are thought-provoking melodies, subtle, and feature simple powerful string accompaniments. Each composition has a concise structure, simple compositional techniques, manageable technical requirements, and basic harmonies. He gives you a very strong grounding in his piano skills. His style and technique have evolved into a modern Classical style. I want to capture all of these emotions in my music and hope it may will comfort and offer hope to listeners."Ĭardall's compositions have evolved in the two decades he's been recording piano music. Our mortality is also filled with so much beauty, joy, serendipitous relationships. I understand that life is filled with irony, misconceptions, confusion, and yet darkness can't exist in the light. I'm alive because beating in my chest is the heart of a deceased man, thanks to organ donation. Paul said, "These introspective, tender, piano compositions have a minimal style of music reflecting the growing pains of a beautifully complex world. Dove Award-Winning pianist Paul Cardall takes listeners on a journey from the rise of a new moon in September through the New Year.